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2026년 8월 22일 토요일

The wooden heart of korea

A photographic journey through Korea's ancient Buddhist temples — fifty sacred sites, their centuries-old wooden architecture, and the National Treasures hidden within their walls. Part one of "The Wooden Heart of Korea," a series documenting a vanishing beauty.


The wooden heart of Korea 1

The Land of the Morning Calm
A Buddhist Temple Journey I

 ISBN: 979-11-986472-3-8

 Amazone Kindle Direct Publishing
Item Weight ‏ : ‎ 1.35 pounds
Dimensions ‏ : ‎ 7 x 0.63 x 10 inches
Publication date ‏ : ‎ July 14, 2026
Language ‏ : ‎ English
Print length ‏ : ‎ 278 pages

https://www.amazon.com/dp/B0H941RW1H



Beopheungsa Temple, Yeongwol, South Korea

Beopheungsa Temple, Yeongwol, South Korea

1352, Mureungbeopheung-ro, Mureungdowon-myeon, Yeongwol-gun, Gangwon-do, Republic of Korea

Administratively, Beopheungsa Temple belongs to Beopheung-ri, Suju-myeon, Yeongwol County, but in practical terms it is considerably closer to Wonju. On a map the distance looks manageable enough, yet by public transportation it is a journey of genuine remoteness — a place that truly requires crossing mountains and fording rivers to reach. Beopheungsa is perhaps best known as one of the five Jeongmyeolbogung sanctuaries, where sacred relics of the historical Buddha are said to be enshrined. In 634, the great Silla monk Jajang returned from the Tang Dynasty bearing relics and bone fragments of the Buddha, which he distributed among five sites: Beopheungsa on Sajasan Mountain, Jeongamsa on Taebaeksan Mountain, Bongjeongam Hermitage on Seoraksan Mountain, Sangwonsa Temple on Odaesan Mountain, and Tongdosa Temple in Yangsan. These are the five great Jeongmyeolbogung of Korea.














Beopheungsa is situated on the southern face of Sajasan Mountain. The temple buildings are arranged on rising ground above a large parking area capable of accommodating several full-sized tour buses at once, and the view that opens up before the visitor is strikingly expansive — almost difficult to believe one is in Gangwon Province. The layout of the temple complex bears a resemblance to that of Yeongoksa Temple on Jirisan Mountain close enough to cause momentary confusion. Within the precinct, several newly constructed halls have gone up and construction work was still ongoing during my visit, leaving little of the atmosphere of age one might hope to find. The crowning jewel of Beopheungsa — its Jeongmyeolbogung hall — can only be reached by crossing the full length of the precinct and climbing a steep mountain slope for some distance. The view from the forecourt of the Jeongmyeolbogung brings to mind the scene one encounters at Sangwonsa on Odaesan.














Distant peaks spread out like a folding screen along the horizon, and far below, the eaves of Beopheungsa's main halls are just barely visible — or seem almost to be. It is a setting that could not be more fitting for the enshrinement of the Buddha's sacred relics; one would be hard pressed to find a more auspicious site. Having visited most of Korea's Jeongmyeolbogung sanctuaries, I can say that this one ranks among the finest. The essence of a temple, as I have come to believe, lies nine-tenths in its site and the arrangement of its buildings — and this place does not deviate by even a fraction from that principle. It strikes one as entirely worthy of holding so mysterious and sacred a Buddhist relic. It is easy to picture the many faithful who have made the arduous climb to this forecourt and stood before the hall — its roofline seeming almost to graze the sky — and offered up their prayers and deepest wishes.














Like so many temples, Beopheungsa endured repeated disasters over the centuries and underwent numerous cycles of repair and reconstruction; the halls standing today date largely from the 1930s. The Jeongmyeolbogung itself was rebuilt during that same period. To the rear left of the sanctuary, there remains a small earthen cave said to be the place where Jajang meditated after enshrining the relics, and a stone chest survives as well — the vessel, according to tradition, in which Jajang carried the sacred relics on the back of a lion. Beyond these, Beopheungsa holds several other items of cultural significance, including the stele of the monk Jinghyo of Heungnyeongsa Temple, designated Treasure No. 612. Of particular note are the palm-leaf scriptures kept at the temple — texts recorded in Sanskrit on the leaves of the talipot palm in an era before paper, originally preserved at Mahayeon Hermitage on Geumgangsan Mountain. According to tradition, a monk brought them south to escape the Communist occupation, and they have been kept at Beopheungsa ever since.

If you would like to experience a unique side of Korea, the "Land of the Morning Calm," please feel free to reach out. I host small, private guided tours tailored for international visitors.

Contact: 7sevensmart@gmail.com

https://korean-heritage-trail.blogspot.com/
https://www.photonuri.com

 

Jeongamsa Temple, Jeongseon, South Korea

Jeongamsa Temple, Jeongseon, South Korea

1410, Hambaeksan-ro, Gohan-eup, Jeongseon-gun, Gangwon-do, Republic of Korea

Administratively located in Gohan-ri, Gohan-eup, Jeongseon County, Jeongamsa Temple sits at the foot of Taebaeksan Mountain and is sometimes referred to as Taebaeksan Jeongamsa for that reason. A ten-minute taxi ride from the towns of Sabuk or Gohan brings one deep into the mountains, where this temple stands as one of the five Jeongmyeolbogung sanctuaries in Korea — among the most spiritually significant Buddhist sites in the country. According to tradition, Jeongamsa was founded in 636, the fifth year of Queen Seondeok of Silla, by the monk Jajang, who brought back sacred relics of the historical Buddha and enshrined them here. Those relics are said to rest within the Sumanot Pagoda, Treasure No. 410, which rises prominently from the mountain slope behind the temple; below it stands the Jeongmyeolbogung hall, where worship is conducted without a Buddha statue — the enshrined relics themselves serving as the object of veneration.














The towns of Sabuk and Gohan in Jeongseon were developed during Korea's industrialization era as coal mining centers, and for a time they thrived. But as the coal industry went into decline, the region hollowed out and the towns grew dark and quiet, the life draining out of them. In an effort to revive the collapsed local economy, the government established the Gangwon Land Casino nearby — and now those who dream of sudden fortune flock to the area like moths drawn to a flame. Yet here in the deep folds of these mountains, where one might expect to find nothing at all, a temple of over a thousand years quietly endures. A small temple, at that — one that holds within it one of only five Jeongmyeolbogung sanctuaries in the entire country. On days when snow or rain closes in, the temple must feel entirely cut off from the outside world, as though nothing else remains — and there is something undeniably forlorn about it in such moments.














Jeongamsa is found by following the road that runs from Sabuk through Gohan and over the pass toward Taebaek, where the temple entrance appears along the way. The mountains here are so deep and steep that one must crane one's neck to catch even a glimpse of the peaks above, and sunlight is a scarce commodity — there are few spots within the valley where direct sun reaches for any length of time. This, perhaps, is why the most important structure at Jeongamsa — the Sumanot Pagoda — was placed at the very edge of the upper mountain slope, where it can rise above the surrounding terrain. Rare in Korea, the pagoda is built in the style of a seven-story imitation-brick stone tower, standing nine meters in total height, constructed with remarkable precision from gray agate stone. Based on its method of construction, it is believed to date to the Goryeo period.



When the Sumanot Pagoda was dismantled and restored in 1972, a set of relic vessels was discovered within — but the sacred relics of the Buddha were not among them. According to tradition, Jajang, concerned that future generations might be tempted by greed, divided the sacred relics he had brought back from the Tang Dynasty among three separate pagodas: one of gold, one of silver, and one of agate — the Sumanot. The gold and silver pagodas, it is said, were concealed from human sight and are believed to lie somewhere on Geumdaebong Peak to the north of Jeongamsa and Eundaebong Peak to the south — a legend not unlike the old tale of the golden axe and the silver axe. Of the three, only the Sumanot Pagoda's location is known with certainty, and it is for this reason that the Jeongmyeolbogung hall was built at its foot, Jeongamsa established around it, and prayers have been offered here ever since — for the sake of all sentient beings.

If you would like to experience a unique side of Korea, the "Land of the Morning Calm," please feel free to reach out. I host small, private guided tours tailored for international visitors.

Contact: 7sevensmart@gmail.com

https://korean-heritage-trail.blogspot.com/
https://www.photonuri.com

 

 

Samhwasa Temple, Donghae, South Korea

Samhwasa Temple, Donghae, South Korea

584, Samhwa-ro, Donghae-si, Gangwon-do, Republic of Korea

Traveling along the eastern coastline of Korea, one encounters a number of celebrated temples along the way. One of them is Samhwasa in Samcheok — a site of exceptional geomantic virtue, and one that deserves to be counted among the finest locations in the country. The temple sits within Mureung Valley on Dutas Mountain, deep in the heart of the Taebaek Mountain Range, the central spine of the Baekdu Daegan. I made my way there by taxi from the Donghae intercity bus terminal, and along the way the driver happened to mention that the temple had not always occupied its present location — it had been relocated from its original site. The reason, he explained, was that in 1979, a cement company had acquired the land where Samhwasa originally stood in order to build a factory, one that would go on to play a significant role in Korea's industrial development; in exchange, a new site was secured deeper within Mureung Valley, and the temple was reestablished there.














This was a rather startling thing to hear before one had even arrived. A temple's location is, in most cases, inseparable from its identity — often more meaningful than the buildings themselves — and yet here was a temple whose entire site had been uprooted to make way for a factory. In circumstances like these, one generally expects that little of cultural heritage value will have survived, and that the new site will almost inevitably fall short of the original. It was a discouraging piece of information, but having come such a long way I pressed on regardless, stepping into the temple grounds despite the cold. What I found was an unexpected reversal. The new location of Samhwasa was considerably better than I had anticipated. Both the placement of the main halls and the setting within Mureung Valley were remarkably well chosen, producing a landscape of surprising beauty.














Given that the site was a newly established one, there were few significant cultural artifacts remaining — only two items of note: the three-story stone pagoda before the main hall, designated Treasure No. 1277, and the seated iron Rocana Buddha, designated Treasure No. 1292. Yet the atmosphere of the place carried a weight of history that matched any temple of long standing. Samhwasa is indeed a temple whose founding reaches back to the Silla period, making it a site of over a thousand years. The present location may not be the original ground on which it stood, but it feels as though whoever chose the new site found terrain worthy of a thousand-year temple. The newly constructed halls were, inevitably, rather too shiny and bright for my taste — the kind of visual glare that tends to sit uneasily with a sensibility attuned to older things — but the position itself earned my unreserved admiration. Set against a backdrop of sheer cliff faces and soaring peaks that form a natural folding screen around the temple, with the waters of Mureung Valley curling around to one side and flowing downward, the whole composition is one of rare harmony.














Spread out before Samhwasa is the crowning glory of Mureung Valley: an enormous expanse of flat granite. Known as the Mureung Bansok, this great sheet of rock covers some five hundred square meters, and across its surface are carved the names and verses of countless poets and scholars who visited over the centuries — among them Maewoldang Kim Siseup, whom we have met before at Muryangsa. Most remarkable of all is a twelve-character inscription in cursive script left by Yang Sa-eon, pen name Bongrae, one of the four great calligraphers of the early Joseon period. A contemporary of Han Seokbong and widely considered to have had no equal in the cursive style, Yang Sa-eon is a name that commands the deepest respect among those who know Korean calligraphy — and to encounter his hand in a place like this, engraved into living rock in a mountain valley, is a genuinely unexpected pleasure.

If you would like to experience a unique side of Korea, the "Land of the Morning Calm," please feel free to reach out. I host small, private guided tours tailored for international visitors.

Contact: 7sevensmart@gmail.com

https://korean-heritage-trail.blogspot.com/
https://www.photonuri.com

 

 

Baedamsa Temple, Inje, South Korea

Baedamsa Temple, Inje, South Korea

746, Baekdam-ro, Buk-myeon, Inje-gun, Gangwon-do, Republic of Korea

Baedamsa Temple, nestled at the heart of the inner Seorak range, is a place connected to two figures who left profoundly significant marks on Korea's modern and contemporary history. It is also, for me personally, a place threaded through with memories from childhood. Heading out from Inje in Gangwon Province toward the junction for Hangyeryeong Pass and turning in the direction of Jinburyeong, one soon reaches the entrance to Baedamsa at Yongdae-ri; from there, an unpaved road winds upward for some eight kilometers before the temple comes into view. In years past, visitors would walk this path for two hours, or make the journey by taxi or private car. But returning after twenty years, I found that everything had changed: all private vehicles are now stopped at the national park entrance, and the only way to reach the temple parking area is by a shuttle bus run for a fare of two thousand won each way. The shuttle, I was told, is operated by residents of the surrounding village — a welcome sight of the kind one more often associates with famous tourist destinations or national parks abroad.














Baedamsa, revisited after nearly twenty years, has changed a great deal. What was once a small and modest hermitage has expanded considerably; multiple new halls now stand within the precinct, and the temple runs templestay programs alongside various other revenue-generating activities, much like well-known temples elsewhere in the country. The atmosphere of remote solitude that I remembered from before — the sense of a place deep in the mountains, quietly keeping to itself — has largely disappeared, and I felt a faint pang of regret at finding it gone. Yet the valley stream of the inner Seorak flowing before the temple was as beautiful as ever, and for a long while I found myself lost in memories of my university years, when I had climbed the trail from this very spot up through Bongjeongam Hermitage all the way to Daecheongbong Peak — a route I completed three times in those days.














According to the temple chronicle written by the monk Manhae Han Yong-un, Baedamsa was founded in 647 — the first year of Queen Jindeok, the twenty-eighth ruler of Silla — by the monk Jajang, under the name Hangyesa, and was renamed Baedamsa in 1783. This brings me to Manhae Han Yong-un himself, the author of that chronicle, who cannot go unmentioned here. The name Manhae Han Yong-un may call to mind first and foremost his poetry collection The Silence of Love, but Manhae was far more than a poet: he was the preeminent Buddhist intellectual of the Japanese colonial period, a leading figure in the resistance against Japanese rule, one of the thirty-three representatives of the Korean people who signed the Declaration of Independence during the March First Movement of 1919, and the founder and driving force behind the Korean Buddhist Youth Association — one of the most prominent independence activists of his era.














Perhaps because of this, once one understands that background and looks at Baedamsa with fresh eyes, the entire atmosphere of the place seems suffused with Manhae's presence. The experience of passing through Baedamsa in youth as little more than a waystation on the way to climb Seoraksan, and the experience of returning with a true understanding of the temple's history, are entirely different things. Baedamsa was never a large temple to begin with, and it holds no particularly notable cultural artifacts. Yet the spirit of Manhae Han Yong-un that permeates this place, and the traces he left here, are alone enough to give the whole temple an overwhelming weight.














There is, however, a second figure associated with Baedamsa — former President Chun Doo-hwan. Having seized power through the military coup of May 1980 and subsequently convicted of massive corruption following his time in office, Chun served part of his sentence before receiving a presidential pardon, after which he retreated to Baedamsa for several years of self-imposed seclusion, eventually returning to his home in Seoul once public attention had subsided. Baedamsa stands at the center of that chapter of his life. Standing within the temple grounds and holding both men in mind, the contrast could not be starker: one figure's legacy grows only brighter, the other's only more squalid. Had Chun known how history would judge him, one imagines he might have thought twice before choosing to take refuge in a place so imbued with Manhae's moral and spiritual legacy.














There is an irony in all of this. Baedamsa was once little more than a small hermitage — precisely the quality that gave it such warmth and intimacy. But in the wake of the former president's stay and the notoriety it brought, the temple appears to have grown several times over in scale, expanding into something rivaling the more established temples of the country. For someone who travels in search of Korea's finest and most unspoiled temples, it registers as something of a blemish on an otherwise fine picture. I arrived at Baedamsa at four in the afternoon, and after an hour of wandering through every corner of the grounds, it was five o'clock; the sun was beginning to settle against the mountainside, and the temple, caught in the backlight, took on a quality of quiet mystery. It was just at that moment that I had to hurry away to make the return journey, and riding the shuttle bus back down to Yongdae-ri, I let my thoughts drift once more to those precious memories of younger days.

If you would like to experience a unique side of Korea, the "Land of the Morning Calm," please feel free to reach out. I host small, private guided tours tailored for international visitors.

Contact: 7sevensmart@gmail.com

https://korean-heritage-trail.blogspot.com/
https://www.photonuri.com

 

 

Geonbongsa Temple, Goseong, South Korea

Geonbongsa Temple, Goseong, South Korea

723, Geonbongsa-ro, Geojin-eup, Goseong-gun, Gangwon-do, Republic of Korea

It was only a year or two ago that I came to know Geonbongsa Temple in any meaningful way. I had come across references to it as one of the great temples of Korea — one that had been burned to the ground during the Korean War and left as a ruined site before undergoing partial restoration in recent years — and my curiosity drew me to look more closely into its history. What I found astonished me. Geonbongsa is said to have been founded in 520, the seventh year of King Beopheung of Silla, by the monk Ado. For well over a millennium it maintained its prominence, and right up until the eve of the Korean War it stood as one of the four great temples of the country and one of the thirty-one head temples of the modern Buddhist administrative system — with the now far more famous Baedamsa and Seoraksan Sinheungsa among its subsidiary temples. Then the war came, and it was burned entirely to the ground.














This is perhaps not difficult to understand. Geonbongsa sits near the armistice line in territory belonging to the Geumgang Mountain range — one of the most fiercely contested battlegrounds of the entire conflict. Even today, military installations line the access road leading to the temple, offering a vivid sense of what that terrain must have looked like during the fighting. For anyone who knows the modern history of this peninsula, the destruction of Geonbongsa feels less like a tragedy of chance than an almost inevitable consequence of where it stood. It is, in the most literal sense, a temple at the very edge of the division between North and South Korea. Until not long ago, the area fell within the Civilian Control Zone, and public access was restricted; but the temple and its approach road have since been removed from that zone, and the site can now be visited freely.














The only structure at Geonbongsa to survive the Korean War unburned was the Buriumun, the Gate of Non-Duality. Even this gate — unusual in having four pillars rather than the customary two — still bears the unmistakable marks of bullets across its surface, a testament to the ferocity of the fighting that swept through here. All other buildings on the grounds date from restorations carried out after 1989 and hold relatively little heritage value in themselves. Throughout Korea there are countless sites of ruined temples, and Geonbongsa came close to joining those that have slipped quietly into the margins of history; what stands today represents a recovery from that near disappearance. Given the enormous original scale of the complex, much of the temple site remains as it was left — unrestored, open ground — with only the main hall and a handful of buildings brought back. Through the center of this partially recovered precinct runs a small stream, and spanning it is Neungpagyo, an arched stone bridge of rainbow form, built in a style reminiscent of Seungseon Bridge before Seonamsa Temple in Suncheon, South Jeolla Province.














Ruined temple sites are found across the entire country, and I have long considered them to be cultural heritage worthy of respect in their own right. Something in the experience of standing beside Neungpagyo and trying to imagine, from imagination alone, the vast monastic complex that once spread out on both sides of that bridge has its own particular value. And yet it was here, for the first time, that I found myself thinking: perhaps restoration — even partial, even imperfect — is better than leaving such a place to slowly vanish. On the way out, I came across a black-and-white photograph taken in the 1920s showing Geonbongsa as it once was. It looked like something conjured from a time machine — an immense complex of extraordinary scale, filling the valley in a way that was almost impossible to reconcile with what stands there now. Had Geonbongsa survived intact to the present day, what a breathtaking sight it would have been.














This brings to mind something a scholar once said: that for a civilization with such a long history, what Korea has managed to preserve is painfully little. Even of what did survive, there are countless examples of heritage left unprotected, neglected, or damaged through simple ignorance of how to care for it properly. What is needed now — and urgently — is the wisdom to find the right methods, to manage and preserve what remains in a systematic way, and to pass it on to those who will come after us. The great cultural heritage passed down from the past is a mirror held up to all of us, and much of it is of a value that defies easy reckoning.

If you would like to experience a unique side of Korea, the "Land of the Morning Calm," please feel free to reach out. I host small, private guided tours tailored for international visitors.

Contact: 7sevensmart@gmail.com

https://korean-heritage-trail.blogspot.com/
https://www.photonuri.com

Naksansa Temple, Yangyang, South Korea

Naksansa Temple, Yangyang, South Korea

100, Naksansa-ro, Ganghyeon-myeon, Yangyang-gun, Gangwon-do, Republic of Korea

Traveling along the eastern coast of Korea, one encounters a remarkable succession of beautiful places — beaches, mountains, sea caves, and natural scenery of a strangely moving quality. Among these, there is one outstanding cultural heritage site situated directly by the sea: Naksansa Temple in Yangyang, near Sokcho in Gangwon Province. I cannot recall exactly when I first visited Naksansa, but I believe I came once or twice as a child with my parents, and later, during my university years, I would stop by whenever I made the trip to Seoraksan — it was close enough that there was little reason not to.














Naksansa is a temple of rare scale among Korea's coastal Buddhist sites. It stands on Naksan — the mountain said to be the dwelling place of the Bodhisattva Avalokitesvara, known in Korean as Gwanseeum Bosal — and was founded in 671, the eleventh year of King Munmu of Silla, by the great monk Uisang. It was rebuilt several times over the centuries, burned to the ground during the Korean War, and reconstructed in 1953, going on to earn renown as one of the three great Gwaneum pilgrimage sites in the country. Then, in April 2005, a massive wildfire swept through the Gwandong region and destroyed most of the temple's buildings, which have since been rebuilt. As a result, the site holds relatively little in the way of conventional cultural heritage value today, yet there remains much to see — among them Uisangdae Pavilion and Hongnyeonam Hermitage, both attached structures of Naksansa and together designated Historic Site No. 495.














The entirety of Obongsan Mountain, stretching along the Yangyang coastline, constitutes the grounds of Naksansa. The official main gate is Hongyemun Arch Gate, first constructed in 1467 during the thirteenth year of King Sejo of Joseon; it was lost to the wildfire and later rebuilt, and follows the characteristic style of Joseon-period fortress architecture. Many visitors are unaware that this is the temple's formal entrance. Because the nearby Naksan Beach is so well known and so well equipped with amenities, most people approach from that direction, ascending along the path that leads first to Uisangdae Pavilion and Hongnyeonam Hermitage — the sites associated with the founding legend of the monk Uisang.














This stretch of coast is celebrated as one of the finest places along the eastern seaboard to watch the sunrise, and it is here that the grounds of Naksansa properly begin. Passing through Botajeon Hall — a new building despite its traditional tiled roof — and climbing the hill, one arrives at the imposing Sea-Facing Gwaneum Statue, the Haesugwaneum. The hilltop on which the statue stands is the highest point within the temple grounds, and from it the coastline of the East Sea stretches away in both directions in a sweeping panorama that is, in itself, a magnificent sight. Continuing along the footpath past the statue, one comes to Wontongbojeon Hall, rebuilt after it was consumed in the 2005 fire. Much care has gone into its reconstruction, yet for those who remember the hall as it once stood, a sense of irreplaceable loss lingers.














The cultural heritage that has endured through the long centuries and survived to the present day may not always appear, at first glance, to be of great significance. But what has accumulated across that span of time and reached us now — once lost — is gone forever. When I think of all the precious cultural treasures that have vanished in the course of repeated foreign invasions and the upheavals of modernization, I feel a hollow ache, as though something has been taken from the chest and never returned. Revisiting Naksansa after the fire, I found myself thinking: to take thorough precautions for what little remains, to put in place systematic plans for its preservation, and to pass it safely through our hands and into those of the generations that follow — is this not the duty of all of us who were born and live upon this land?

If you would like to experience a unique side of Korea, the "Land of the Morning Calm," please feel free to reach out. I host small, private guided tours tailored for international visitors.

Contact: 7sevensmart@gmail.com

https://korean-heritage-trail.blogspot.com/
https://www.photonuri.com

The wooden heart of korea

A photographic journey through Korea's ancient Buddhist temples — fifty sacred sites, their centuries-old wooden architecture, and the N...